Wednesday 31 December 2014

Another one under the belt........

And as the old year draws to a close, a question....
 
..the answer to which is "probably but let's still be optimistic for 2015".
 

Monday 29 December 2014

Good grief.

So, a Murdoch paper comes out with Nigel Farage as 'Briton of the Year'. The mind boggles but it does give a hint of what we might expect from Murdoch's media empire in the run up to the General Election next year. I find it very depressing.

Sunday 28 December 2014

I thought I'd seen everything.

I thought I'd seen it all when I came across the H20 Mop X5 steam mop last year but guess what? I was wrong, as another encounter with a shopping channel has shown. I have just seen a commercial for 'The Clapper'. Those of a certain age might remember it from a KTel ad that ran for a while in the 80's or thereabouts. They might also remember that 'The Clapper' is an attachment to TVs and lights that will turn them on or off when you clap your hands. Modern technology allows the same thing with verbal commands, and wireless remote controls so I'm surprised that this gimmick still sells - apparently. Actually, I hope it does well as I find it strangely comforting that such a low-tech solution is still around at the same time as someone can switch their lights off via their mobile phone from anywhere in the world. Although I'm not sure why anyone would want either.

The star of the commercial is Kent French**, the World Record Holder for the number of times he can clap his hands in a minute. Wow! Respect.

They claim he can clap his hands 721 times a minute. Maybe I'm being pedantic, but he doesn’t really clap his hands. He sort of slaps them with a slippy slidey kind of action.  OK, slap, clap: what's the difference?  I'll give him that one but what I can’t believe is:
1.  That there is a world record for claps in one minute. 
2.  That anyone would aspire to hold that record. 
3.  That anyone would actually attempt to count and validate his clap number.
4.  That Kent could actually turn this 'talent' (?) into an opportunity to make money. 

Beguiling though the ad may be, I have absolutely no urge to buy 'The Clapper'. I think it's a daft product. It is one of those things that only sells at 2 am in the morning when someone is desperately looking for something to make a grandparent very happy. I can just imagine the thought processes going on:

“Hmmm, what would grandad most want this Christmas? 'The Clapper' or a ‘Meercat Garden Ornament'? I guess you can only have so many meercats in the garden so we'll get him ‘The Clapper’: besides it is endorsed by the world’s fastest clapper so it must be good...".
If my children or grandchildren are reading this, please don’t get me ‘The Clapper’, no matter who endorses it. There must be something better you could buy me. And you can forget about anything meercat-themed as well. And while I'm being prescriptive, don't go anywhere near royalty-themed tat. Unless, of course, it's been personally endorsed by her maj - "One loves one's Meercat Ornaments and one has them scattered all around one's gardens at Buckingham Palace, Windsor Castle, Balmoral, Sandringham and wherever else one's pinched off the plebs".

(** Those with the energy and inclination to search Google will discover that Kent has lost his clapping crown. Which is worrying as it means that there's more than one loooney at large who thinks its smart to clap faster than anyone else. It sure is a strange world.)

Wednesday 24 December 2014

Is it only me?

As
Am I the only one who shouts at the TV? I seem to have started doing this recently (correct me if I'm wrong, Mrs P, maybe I've been doing it for ever) and I'm thinking it must be a product of my age. As an example, here's a typical exchange as I watched a Xmas Quiz show that drove me into an apoplectic frenzy.

Question: What bird can swim, but not fly?
a. Eagle.
b. Seagull.
c. Penguin.
d. Seal.

Contestant: "Gosh, let me think. An eagle can fly and some dive to catch fish, but I don't think they can swim. Have they got webbed feet? Hmm, a seagull is around water a lot and I don't think a seal is even a bird. Er, ah, mmmm, ah.....".

Me: “PENGUIN, YOU IDIOT, IT’S A PENGUIN!! GOOD GRIEF, THESE ARE THE EASY ONES, DUMMY!!”

Mrs P, in another room, gets panicky: “What's up? Why are you shouting?".

Me: “BECAUSE THIS DUMB NUTS IS TAKING FOREVER TO ANSWER AN EASY QUESTION.”

The ever sensible Mrs P counters, in the slow authoritative voice she adopts when she really means business: “It's TV! IT IS ONLY A TV SHOW. Calm down and stop shouting”.

I don’t know why I shout, I never used to shout. But the reality is that when you get older you have no patience. I feel like I am losing two and a half minutes of my life that I will never get back waiting for some idiot to say “penguin.” So I shout.

I also shout at films: “DON’T GO IN THE BASEMENT YOU CLOWN. WHEN YOU HEAR HEAVY BREATHING, RUN THE OTHER WAY!!".

And I especially shout at commercials: “NO LADY, YOU ARE NOT WORTH IT. SOME PEOPLE MIGHT BE, BUT NOT YOU”.

Apart from this single deviation, I don’t shout at home. I don’t shout in shops. I don’t shout in the car (OK, maybe a little), I don’t shout at the radio and I don’t shout at what I read (wisely I avoid the Daily Mail otherwise I'd be hoarse in a matter of milli-seconds). What is it about getting older that makes me shout at the TV? Answers on a postcard please.

Postscript: As this is Christmas Day, I should mention that I never, never shout at the Queen's Xmas Broadcast ...because I never, never watch it. But I may very well have a rant during Downton Abbey later on this evening.

How long will Christmas Cards be with us?

Perhaps I'm being premature but I think that one Christmas tradition that we know is not long for this world. The tradition, of course, is the sending and receiving of cards to everyone you have ever known. Let's be honest here: it is essentially a woman’s tradition, men help and will read the incoming cards, but if it wasn't for women, Christmas cards would not be sent.

Some people start the Christmas card process at the end of November and are not finished until a couple of days before Christmas. And, what's more they write a personal note to each recipient. None of this effort makes any sense in today’s world. The Christmas Card tradition of old is the equivalent of today's Facebook; the yearly sending and receiving of cards to see who has friended or unfriended you.

“I don’t think Mrs X sent us a card this year…guess we’ll cross her off for next year.”
“Damn, we got a card from our old neighbour/work colleague/vague acquaintance  Mr Y,  we'd better add him to next year’s list.”

The new generation is having nothing to do with this tradition or will, at least, end it very soon. They say:

“Why go to so much effort and expense when I can create one card, with multiple pictures and send it to all my friends with the push of the send button.”

They are right, of course, and that is why the card sending tradition is on the way out, but I do understand the traditionalists' point of view. They regard a cyber-greeting as cold, tacky, and tasteless. Thus my generation will continue to purchase cards, stuff envelopes, address envelopes, write messages, lick stamps, lick envelopes, and cart off several pounds of cards to the Post Office all to wish "Merry Christmas" to everyone we have ever shook hands with. Today's generation will receive these cards and think, “why do they spend so much time and so much money when there is email and Facebook?”  They will never understand how critical the card tradition has been to the women of my generation, and until the collective mindset swings over to the usage of modern technology, the Royal Mail will be remain very busy in December. But I give it five to ten more years at best.

And if you haven't received a card from me, it must have got lost in the post! Maybe next year.

Monday 22 December 2014

Wednesday 17 December 2014

Where did this come from?

I expect everyone, once in a while, wakes up with something in (not on) their mind and wonders "where on earth did that come from?". Here's something that the wee small hours brought me the other night.

I have a soft spot for a rock track called 'I will possess your heart' by the US band, Death-Cab for Cutie. It's an unusual recording in that the intro lasts for about half of its entire 8 minutes or so and, for some reason, I find its monotony quite compelling. So much so that I've clipped it out and have been known to play it on a loop continuously, particularly when I'm working in the early hours and want something non-intrusive as background music. I've always wondered where the band got its name from and had intended to find out but never quite got around to it. However, I haven't played, or thought about it consciously, for many months. And that was how I went to bed that night.

Now it gets seriously weird: at some stage I woke up confident that I knew exactly the origin of the name. It was from a track off the Bonzo Dog Doo Dah Band's LP from 1967 called Gorilla (believe me, that's obscure). I've got it on vinyl somewhere but haven't played it for at least 30 years. A check on Google confirmed that it was correct!  I'm not a neurophysiologist and one day someone will be able to give me a mechanistic explanation for how, and why, this sort of thing happens. In the meantime, I'm content to remain intrigued by it - that and feeling pretty smug that it's all in the memory bank  somewhere.

The above clip is taken from the TV series 'Do Not Adjust Your Set' which screened on ITV for a while after 1967. Lots of familiar names in the cast (David Jason, Michael Palin, Eric Idle, Denise Coffey and Terry Jones), with the Bonzos providing a musical interlude in each episode. Given the anarchic and surreal comedy presented, it's hard to believe that it was conceived as a children's programme. Compare and contrast with the technicolour hyperactive rubbish on offer for youngsters nowadays. I can only fantasise on what the cast would have made of Tinky Winky, Bonky Wonky et al. And dontcha just love Viv Stanshall's hallmark gold lamé suit? There was a time when I wanted one but, luckily, they were impossible to find in Aberystwyth.

Sunday 14 December 2014

Ashes to ashes, dust to dust....


One of the more unusual gifts we've received was a double burial plot in Danygraig Cemetery in Risca, South Wales. At one time, it seemed the ideal resting place for us but, as our focus is now in the West Country, we've decided to rescind our claim on this piece of the Principality. That decision taken, we were left with the question "if not Danygraig, then where?". And that was not too hard to answer. Given our affinity for Dartmoor, having our ashes scattered, together of course, somewhere on the moor seems to be a good exit strategy. I guess we'll have added spice to our walks from now on as we eye up suitable spots for the 'deed'.

Not that I'm in any hurry for the day to come but I am curious about some of the practical details. A quick Google search soon produced enough information to shut me up for a while.

Would there be any problems in scattering ashes on the moor?  
The Dartmoor National Park Authority (DNPA) looks after the moor and, from a rummage in their electronic drawers, I'd call them a reluctant acceptor of the fact that some people want to have their ashes scattered within their domain. They do not advertise or generally recommend the scattering of ashes, there is no reference to it on their website and they say there is no ‘official’ policy. But there is an unofficial 'advice note' on the subject and these are some salient points from it.
  • A low-key, informal scattering of ashes would raise no objection.
  • A formal gathering, of 30 or more people, on Common Land on DNPA land would require specific permission and would require them to check time and date to avoid clashing with other events.
  • They would normally refuse permission for any permanent plaque
  • They don’t like ashes being buried as this is in contrary to DNPA byelaws.
  • They don’t want ashes scattered in rivers or streams as the water may be for human or animal consumption lower down the watercourse.
  •  If a popular spot, such as Hound Tor, used by lots of people is chosen, they ask that the scattering is done when the site is quiet and/or in a more secluded part of the site so that others there are not perturbed.
All of this seems pretty reasonable and shouldn't get in the way of anything we might want to do.

Are there any hints as to how ashes should be/could be scattered?
Yes, hints there are aplenty. Once the stone was lifted, I was amazed at what was revealed. I didn't know that 'scattertubes' existed and that there is one with a Dartmoor theme just waiting to be bought. Wonderfully tasteful and I might just add it to my Xmas list. I reckon if we both keep our weights in trim, we should fit into a single tube. Presumably there are perforations at the bottom for easy dispersal of the contents?
And there is a whole range of others to choose from. Take a look at these: but please, not the Teddy Bear or Golfer's.
And it doesn't end there! Should someone want a permanent memento of my/our physical presence/s then they can incorporate a few grammes of ashes in a paperweight or a walking stick handle or a stained glass window. I'd suggest an egg timer but that's up to them.
All we need to do now is the choose the spot and then, I guess, we are all set to go.

Saturday 13 December 2014

My Desert Island Discs

Although they might not like to admit it, I'm willing to bet almost everyone who listens to the programme will have at least a rough idea of what they'd chose if they were ever invited onto Desert Island Discs (still going strong after 72 years on air and nearly 2500 episodes). I know it’s an absurd vanity to even momentarily entertain the idea that I am of sufficient public interest to be asked onto the programme, but that doesn't stop me preparing my list.

The rules
Here's a little context for those unfamiliar with the programme. The rules of being cast away on the imaginary island might seem a little anachronistic in this digital age but they boil down to these: you’re allowed 8 discs (tracks, in the modern vernacular) and the means to play them, presumably mechanical as there is no source of power for electrical devices. Concessions are that you can take with you a holy or philosophical text, the complete works of Shakespeare and one other book, plus one luxury item, provided that it doesn’t aid your escape from the island. Oh yes, you also get to chose the one disc you'd save if the whole lot were going up in flames or being eaten by unfriendly natives or at risk of being swept away in a tsunami.

My choices
Although there are no criteria given for the selection of the music, a convention has developed whereby it reflects milestones and/or people of significance to the castaway. And who am I to go against this convention? It's been fun, interesting, surprising, and quite nostalgic, ranging over the years (oh, so many years!), compiling the following tuneful timeline:

1. Lynn Onn (The Ash Grove) - Cor Meibion Treorci Choir (Treorchy Male Voice Choir).
I've always had a soft spot for this folksong. It is the earliest song I can remember learning (in Mrs Jones' class in Bedwas Junior Mixed Primary School) and I learnt it in Welsh, not English. Unfortunately my Welsh has been long forgotten but singing along to this under the palm trees will bring it all back - or at least the phrases that feature in the lyrics.

2. Myfanwy  - Morriston Orpheus Choir.
Mrs P entered my life when I was a callow (and probably shallow) youth of 17 and this is a favourite of hers, and that's good enough to get it on my playlist. Notwithstanding that connection, it's one I'll always associate with the Cardiff Arms Park and Rugby International Days. Happy, hazy days!

3. All right now - Free.
1970 was a great year. We were newly married and living in a very modest one-bedroomed rented flat in Southampton. In the June/July we went on a Departmental 'disco cruise' to the Isle of Wight and back and Free's All Right Now was the song that accompanied us there and back, as if on a loop. It was all right then and has been better than all right ever since. It still withstands repeat listening and would give me the right soundtrack over which to hone my air guitar skills.

4. On the turning away - Pink Floyd.
For several years before our children fled the nest, we would spend our Summer holidays on the highways and byways of Europe, driving from one Eurocamp site to the next. This track from Pink Floyd is redolent of memories of these times and, you've guessed it, another air guitar opportunity. I can just see myself looking into the setting sun and doing some serious work with the tremolo arm.

5. Spem in Allium - Thomas Tallis.
Every year we spend a week in St David's in Pembrokeshire and there was a time when we fitted in another week earlier in the year to take in the Music Festival in the Cathedral. One time at the Festival we were privileged to listen to a performance of Tallis's Spem in Allium as he intended it - 40 part harmony sang by the choirs surrounding the audience in a U-shape. Unforgettable and the task on a desert island would be to decipher and learn each of the 40 parts.

6. Kipper the Dog 
Underneath this gruff exterior is a grandfather who is inordinately fond of his ever-increasing brood of grandchildren. A desert island would be their natural environment and it would be great to have merry helpers to fetch water, haul wood, light fires, cook my food and wash my smalls. But such luxuries are banned so, as a very poor substitute) I'll take along the piece of music that they have all enjoyed at one time or another. The theme from Kipper is so relaxing that it would be ideal mood music for swinging in a hammock underneath the stars. It was either Kipper or The Wiggles (Quack Quack Cock-A-Doodle Do) but I thought I'd end up hanging myself if I listened to too much of the latter.

7. Spiegel im Spiegel - Arvo Part.
It means 'Mirrors in Mirrors' and is a supremely meditative piece. I find the smooth melodic line of the violin elevating and it takes me far out beyond the here and now. To be played when the isolation of the situation starts getting me down?  It's another favourite of Mrs P so that's another good reason to take it along.

8. Zadok the Priest - Handel's Coronation Anthem No. 1.
I've sung this anthem a few times with various choirs and it's never failed to send shivers down my spine. I particularly like the God save the King part and the intrigue of the intro. It's always struck me that Handel decided to be boring for a page or so of the score and then thinks "Argh, I've forgotten that they need to crown the king now" and, from there, he really gets going. It's something for me to sing along to full voiced as I wash my smalls in a tropical stream.

The book
I'd have the Bible (only the King James version would do, thank you very much, as I want it in proper English) and the complete works of Shakespeare but what about my own choice of reading material? Lots of candidates for this but I have settled on a brilliant little book that will keep me occupied and mentally stimulated until I am rescued from the island: The Chicken from Minsk and 99 Other Infuriatingly Challenging Brainteasers from the Great Russian Tradition of Maths and Science. I was recommended this book several years ago and finally bought one, second-hand, recently for a couple of pounds. You can get a flavour of its contents from the back cover. quoted below. This is a relatively trivial problem but some of the others are really taxing: even the solutions are hard to understand. Great fun, though, and working through them (or not) will really help while away the solitary hours.
Besides chess playing and problem solving, drinking is and always has been the most common form of recreation in Russia. Vassily has acquired a 12 litre bucket of vodka and wishes to share it with Pyotr. However, all Pyotr has is an empty 8 litre vodka bottle and an empty 5 litre vodka bottle. How can the vodka be divided evenly? 
The Luxury item 
I did consider taking my piano so that I could continue my hitherto futile  attempts at learning to play but realised that it would probably go out of tune quite quickly in the tropical humidity. A longer-lasting luxury, depending on how much I was permitted to have, would be writing and sketching materials. Writing is one thing I never get tired of and I can see myself sitting on a rock scribbling away at my diary, blog, doggerel and, perhaps, the book that every one has inside them. And sketching? It's something I've always intended to take up and who could get bored looking closely at the flora and fauna?

The One Disc I’d Save
A difficult choice but I'd have to go with the Thomas Tallis. Deconstructing the polyphony would keep me engaged for ages and, let's face it, it's just a beautiful piece of music, redolent with so many memories and connections.

Tuesday 9 December 2014

Who to follow into the Revolution? Brand or Bevan?

I've just finished Russell Brand's much-vaunted book Revolution which I really, really wanted to like. Unfortunately it was not to be. Here's why..

I found it to be a very long slog and I suspect that it may be destined for a place on the list of books that are bought but never finished (can anyone honestly say that they got to the end of Stephen Hawking's A Brief History of Time?). All of Brand the comedian-cum-film-star-cum-people’s-revolutionary-cum-mockney-bloke is there. His need to be noticed is on every page and his unwillingness to get out of the way of the story confused/infuriated this reader at every turn. He likes to think of himself as plain speaking but this plainness does not extend to his writing. Here's a fairly typical sentence. ‘The significance of consciousness itself as a participant in what we perceive as reality is increasingly negating what we understood to be objectivity’. Clear as mud, eh? In a half-baked manifesto towards the end, he says "we know what has to change: corporate tyranny, ecological irresponsibility and economic inequality". That much we can agree on, but how do we bring about that change? Precious few suggestions for this and I suspect we'll have to wait until Revolution II to find out how to do that.

In interviews to promote Revolution, Brand has said that he is prepared to die for his beliefs. Before that time comes, the rest of us may have died from boredom. Can any Revolution begin with a yawn? But I'm being unkind: bludgeoned and bored I might have been but I have to admit that he certainly has been successful at getting ideas that others have been articulating far more coherently and for far longer, heard by a much wider audience. Perhaps that's his role in life - agent provocateur for the superficially impressed?

If you are looking for a 'grown up' book on politics, I can thoroughly recommend Aneurin Bevan's In Place of Fear. It hits all the spots that Brand misses by a mile. Written in the early 1950s, it is as relevant today as it was when it first came out. Bevan believed that Democracy and Socialism (not Communism) go hand in hand and that the unrestrained free-market undermines democracy. Rather than an economy based on the attempt to frighten people into working harder by allowing many to fall into unemployment, poverty and homelessness pour encourager des autres, Bevan proposed that government provides for the basic needs of all through a comprehensive welfare system and more control of the nation's resources and infrastructure. It's a programme of social democracy that seems to be gaining renewed support in the UK and it's one that Blair/Brown/Milliband have long left behind - and look at the electoral price they have paid. But let's leave that for another day.

Thursday 4 December 2014

Our wonderful NHS

I've had occasion recently to have had some treatment through our wonderful National Health Service. Yes, our wonderful NHS. Not our failing NHS, not our bureaucratic NHS, not our far-too-expensive NHS but our wonderful NHS.

By coincidence a letter dropped through our letter-box a short while ago as part of a new Government initiative to let us know what is happening to the tax we are paying. It informs me of the total direct taxes I paid in 2013-14 and the proportion of my taxes which have gone to various headings. For example, I paid £139 towards reducing the national debt last year and a further £105 (probably enough for a couple of bolts from the back of a tank) towards the defence of the realm. And towards the budget of the National Health Service I contributed £374 from direct taxation. Given that direct tax constitutes about 45% of the total government budget, it is fair to assume that I probably stumped up a further £410 in indirect tax.  So for a few pence over £15 (circa $23) a week I have got access to a service that has treated my fingers, my eyes, given me regular check-ups and continues to provide me with a whole bag of life-saving pills every month.

Even in the context of Black Friday and Cyber Monday - that is some bargain. Wouldn't it be great if those willing to fight to get £50 off a TV would put as much energy into fighting to save our wonderful NHS from the depredations of the Lib-Cons?

Tuesday 2 December 2014

John Singer Sargent

I like the stark beauty of John Singer Sargent's 'Gassed' and, close up, it is nothing short of incredible. I've seen it a couple of times at the Imperial War Museum in London and reproductions can neither do it justice nor give a true feeling of its size. It's roughly 6 x 3 m and dominates the room it is in. This painting led me to explore his work further and I came across this short compilation. It's whetted my appetite: we really ought to get up to London and spend some time in the art galleries there. An early New Year's Resolution?